None of these letters ever appear at any later date up to modern times. Dynamic range doesn't seem terribly reduced, more that the overall level has just been raised. If you are familiar with any DCC audiophile releases, then you already know Steve. Kind of Blue sounds about the same as the stereo CDs, because it's mixed down from the same 3-track tape (the mono masters are, by some accounts, worn out; by other accounts, missing). Is there anything left to say on the most popular and arguably greatest jazz LP of all time? Do you expect much improvement over the Classic Records stereo 45 release from the 90s? A further five lacquers account for the next quarter of all mono copies: A, B, AC, AD, and AJ. 1AL/1A, 1AK/1A and 1AC/1A, 1AC/1B 1AE/1B), all with corrected Side 2 listing. I suppose that is a personal preference. The two stereo tapes were stored safely in a vault for over three decades before anyone thought of taking them out for remastering. AB 13th; AC 14th; AD 15th; AE 16th; AF 17th; AG 18th; they too are pre 11/59. The two bonus tracks are of particular interest. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. And that file was sourced for a new and noise-free vinyl release by an enterprising company called Music On Vinyl. Do you know if the original issue was cut using the Columbia EQ curve? The basic difference with the stereo masters was that after the same type of process, the stereo masters were pumped up a few DB across the board with Volume Compression. Your phrasing that mastering did the fold down is incorrect. Evidenced by the Side 2 track-listing error, mono lacquers A, B, C and D (any onboth sides)were used in the first pressingrun, together with a small number of others: a minorityof D1/D1 copies had the track list error, and one 1H/1D (1H lacquer used also for promo) was found with the erroneous label, though there may be others. There may have been 27 lacquers cut but many letters never appear, and only a limited number of lacquers appear to have been actually used for pressing. In another development, stereo copies with 1AG and 1AH and mono copies with 1AF and 1AJ have been turning up with aletter T and alpha suffix T,TA, TB and TC found stamped mechanically like the matrix stamp. In line with Conventional Wisdom, first pressing on mono starts A, B, C, and (some) D, after which it is a veritable free for all, mix and not match. But most importantly, the music experience is complete and organically "whole," making a strong case for the superiority of the mono mix. but failed to notice the CBS overprint and absence of deep groove. Analog Planet - 24 Sep 13 Miles Davis "Kind of Blue" Monophonic Reissue From Sony/Legacy: An Analog. 1A promo is extremely rare, none came to light in reviewing several thousand auctions, so perhaps a keeper, rarely sold.). And, as a personal taste, I prefer orchestral recordings Porgy , Sketches , and Miles Ahead , all done with Gil Evansspread out. The original mono LPs did not have this problem because they were cut from a different tape from a different recorder. Green Dolphin Street was recorded just before the Kind of Blue sessions and features the same line up John Coltrane tenor sax, Bill Evans piano, Jimmy Cobb drums and Paul Chambers bass. La version stro belle la vitesse dite rectifiee' Les cinq titres en version mono une decouverte pour moi. Affiliate programs and Many sellers omitted mention of matrix codes completely, oridentified only one side, on the assumption the other side would be the same (they are usually not). What you are hearing is the "buzzing" of the reed on the sax. Affiliate programs and What is the slight distortion that is present in every copy of KOB I've ever heard? Instead what you got were three islands joined together with added reverb. Looking forward to this reissue, like all of Miles' albums I have both Mono and Stereo originals (1C Mono KOB). I picked it up about six months ago and like it a lot. The Crossword Solver found 30 answers to "Kind of blue", 4 letters crossword clue. Released 17 August 1959 on Columbia (catalog no. Another fifteen lacquers contribute to the final tally of all those found. However with very much fewer auctions, and fewer sellers still identified the stamper codes,little more likely to be learnedin return for muchgreater effort. The prime stereo tape recorder had been running just over one percent slow, so on playback and during the mastering of albums it ran a little fast. (Yeah,they start with an A.) So, typically: XLP12345 1A, Five digit recording serial number, followed by a hyphen. Identifiable early pressings are very rare. Going back over the pictures of jackets accompanying mono white label promos, three fabricator codes are found: 2, 4, and 6. Don't prejudge! Mix - Miles Davis - Kind Of Blue Vinyl LP Review And Comparison What Version Is The Best Miles Davis, John Coltrane, Cannonball Adderley, and more Miles Davis - Kind Of Blue (FULL MONO LP. I finally got the MFSL 2x45 after holding out for a later press due to reports of some early ones being off centre. Whilst metal was strictly process controlled, it seems there was much greater latitude in printing, with different fonts and discretionary compositing decisions e.g. Bummer. . :-). One was selling in the marketplace but asking a question about something for sale is apparently a 'conversation.'. That, and . And the alternate take just sounds stupendous. The majority of 1A and 1Bmatrix pairs are found as Side 2 paired with a higher letter on Side 1 (e.g. This coming Record Store Day, November 29th, the label will release on vinyl. Most Columbia pressings have asymmetrical non-sequential pairings, such as 1D/1AC. One of these assumptions is wrong by a factor of ten, crazy, but we find what we find. I'll be grabbing this mono version! 5 Modern Album of Terre Haute, IN Columbia may eventually have arrived at aneat andorderly system of lacquer distribution withthis combination of plants, but the evidence from Kind of Blue shows that was not how the system worked in 1959. When Sony announced the RSD release I assumed it would be similar to how they rolled out Milestones and Round About Midnight (a few months after)? . When I tell them its mono, they just shake there heads in disbelief. I don't hear it throughout the record. I have an original copy of "Round Midnight" that I bought in Santa Monice back in the 70's. The mysteryis the missing lacquers the nextletters which never appear on any side of any monocopy of Kind of Blue: E, F, K andL. None appear in the auctions sampleor the reader survey. Both mono and stereo six-eyes with a uniquely Canadian touch. Does your copy say "Music on Vinyl"? And sometimes each version has its own equally attractive but different qualities.

. Some EQ was used as was a bit of limiting. ), Forum Policies, Rules, and Terms of Service. Anyone who thinks this has never been in a proper recording session and doesn't know any real recording engineers. AH 19th; AJ 20th; AK 21st; AL 22nd; BA 23rd; BB 24th; One even declared it was the first pressing because the matrix suffix started with a 1 (simply original tape mix, like all). It is a twice a year event. In preparation for the commercial release, Columbia engineers cut at least 27 identical lacquers from the first master tape mix, one set mono, the other stereo. It's truly stupid for vinyl sellers like to sell those things. Two hundred fifty auction copies with good stamper information and photos of both labels were found: 200 mono and 50 stereo, reflecting the slow early uptake of new stereo phonograms in the late 1950s and early 1960s, The reason why Columbia cut so many lacquers used to puzzle me, but I see it now as a very smart system of distribution and quality control, with inexpensive redundancy built in. A stereo record contains separate left and right channel information on each groove-wall at a 45-degree angle from each other.The groove is a more complicated shape with both lateral and vertical information. Regarding vinyl it is felt that the 2014 mono vinyl release is the sane way to go if you want the best sound up til the White album. Alpha lacquer identifier, starting with A through to L (11 unique lettersin first cohort) then AA to AL (11 in second cohort) then BA to BL (11 in third cohort), and CA to CL thereafter. And remember: with limited tracks available in the early days of multitrack recorders, groups would record and fill all four tracks then mix those down to one track. Click here if you want this pressing without paying 4-20x retail (Come on now, you really should be ashamed of yourselves). The most frequently found are in, order of magnitude, AJ, AD, BC, AA, AE and AG. Mostauction copieshave the corrected Side 2 label, but some sellers claim theirs isan original first pressing, simply because it is a Six-Eye label. Many processes today are managed by computers, which have sequential logic built in. When you click on links to various merchants on this site and make a purchase, Matrix codes found on mono promos, produced from FOUR lacquers: A G, D and H (UPDATE 30/5/21: one promo with 1A has just come to light, with track sequence error, courtesy of a reader. Epais comme un vinyl de pressage us. Been dying for a decent mono version of KOBE since I got into jazz about a year ago. G 7th; H 8th; J 9th; K 10th; L 11th;AA 12th; I'd stick with the stereo, that's the version everyone raves about. The masters were digitized and corrections/edits made. Have a look. The problem is that nobody knows what happened to the mono master tape. FIRST! By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Hence the stereo (but not the mono) releases of Kind of Blue and virtually all the releases were stereo had always had those three tracks playing at slightly the wrong pitch. No, by the time I got interested in old mono pressings, the price on Piper had gotten too high. I am afraid I agree entirely. example of satire in a sentence 0.00 $ Cart. Or at least I didn't see them. With 1D (different printer and pressing location?) All Blues 2. I'd like to thank you for all the valuable advice that I've been able to glean from your Stereophile column over the years. (You must log in or sign up to reply here. There are clusters around certain letters, for example 1AJ on Side 1 is found with Side 2 as 1AD, 1AE,1AF and 1AG. and we'd love to turn you on. The original recording sessions for Kind of Blue took place at the Columbia 30th Street Studios in Manhattan, nicknamed the Church, in March and April 1959. It has cleverly placed itself between the high-end audiophile labels, whose LPs can be very pricey, and the cheap low-end labels, whose noisy pressings can sound like bacon frying. Progress, what is it with that word that it manges to bug me so often? Unfortunately, the Kind of Blue mono master tape no longer exists. The mono tapes have gone missing. hows the quality of the LP in the box set? It got me "in the room" or studio, with the guys, where mono just did not, so I find it kind of (sorry) bizarre that, under almost any circumstance, mono would be the preferred medium where stereo is available. The label correction is believed to have taken place around November 1959, on the instruction of Teo Macero (hat tip Enrico!). Hope that helps. It looks like all of these were mixed at 24/192k (not in the analog domain). They are all potentially the first. plant, C and D for Terra Haute, In. Kind of Blue Mono & Stereo Collector's Edition 2LP Set 180 gram, 33 rpm, Collector's Edition, Gatefold, Mono. Arthur. The Music On Vinyl Kind of Blue is indeed a deluxe package which offers considerable bang for the buck. 1B/1B, 1B/1C, 1B/1E, 1B/1H, 1B/1J, 1C/1D, 1C/1F, 1C/1G, 1C/1H, 1C/1J, 1D/1AC, 1D/1D, 1D/1E, 1E/1D, 1G/1H, 1H/1L, 1J/1B 1AA/1F, 1AA/1G, 1AD/1AF, 1AE/1AG. Personnel: Miles Davis - trumpet, band leader. Conventional wisdom is no guide to what actually happens, Postscript Technical Appendix the data. lacquer letter progression rapidly stops being a useful guide to the very earliest pressings. These recordings were made in the early days of "stereo". With Indianas convenient central US location, equidistant to East And West Coast, and a short distance for Illinois, it was possibly more economical to manufacture covers centrally and ship to pressing plants, but it takes some explaining why Kind of Blue promo jackets were manufactured at two locations, unless they were also being pressed at two plants Terre Haute and Bridgeport or even three, Hollywood, hence the code 6. Since neither mono tape surfaced it must be assumed they were repurposed or stolen. One of the quirks of jacket manufacture was the code used by the giant fabricator Imperial Packing, Indianapolis, changed according to the pressing plants it was supplying 4 for US Central (Terre Haute) and 6 when supplying West Coast (Hollywood). Seven of these albums - 'Round About Midnight, Miles Ahead (both 1957), Milestones (1958), Porgy And Bess, Kind Of Blue (both 1959), Sketches Of Spain (1960) and Someday My Prince Will Come (1961) - are familiar classics which saw Miles rise to prominence as an architect of the hard bop style of jazz before revolutionizing the genre with ventures I know that there are multiple versions of Miles Davis' Kind of Blue, there are the MFSL, the original mono and stereo LPs, the 200 gram stereo remaster, and I have listened to the album on YouTube, and 256kbps isn't doing the material justice. Milestone and Round About Midnight were mono-only titles. The presence of an 1Aor 1B on one side, and a higher value on the other, is not an early mono pressing, obviously. Controversial in some quarters, but I agree. It is not known how many labels with the side 2 error were printed, but the presence of the Side 2 error is proof of earlypressing status 8/59 to 11/59. They occur in similar offset mirrored pairs: E/K, K/E, AC/AE, AE/AC. Ended: Apr 29, 2023 , 5:16PM. I don't know a lot about record store day. I listen to critics and online commenters whose point of view I can understand. Both the mono and the stereo originals display the same pitch problem, that went un-corrected for decades. The difference between mono and stereo is the number of channels that they send to the speakers. My search is over trying to find the perfect pressing, sorry MOFI and Classic records. my copy says Music on Vynil launched on black friday with serial n. In the case of Stereo, six lacquers account for half of all the copies manufactured, none of which are single alphabetic 1A to 1L. Can someone enlighten me as to how it works? The aboveexamples of1A 1B and 1C labels (note, always1Aas Side 2) each feature the two line bold album title. This is true EVEN IF the original artist/people are involved in the later versions. Did Teo ever say why he hated the Sony releases? I have several stereo copies of this record, my preference is the Classic Records1995 issue. Unfortunately, the Kind of Blue mono master tape no longer exists. Of course this did not affect the mono version, which was sourced from a different recorder, but for this mono reissue, the speed had to again be corrected. Dylan and The Beatles were far more interested in the mono mixes because they knew that's how most fans would be listening at home and especially on the radio. LP review by Andrew Cartmel). Unanswered Question Conventional Wisdom does not explaintheasymmetrical pairing is Side 1 and Side2 lacquers. There is no real distortion on any version of KOB that I own but there certainly IS the sound of reeds vibrating. All other pressingseven the re-released copies from second and third generation mothers in 1959 and 1960 which sound very very good, are not the original artthey are approximations made at a later date with mastering notes recalled from the original session. At the beginning or throughout the record. Before the sacred tapes were returned the vaults, a copy of the 50th anniversary remastering was transferred to a high resolution digital file. How is this done? Needle doctor even sells them. Featuring Evans at his most mellow and cheery, moody bass modulations by Chambers, notable fast-shuffle boogie drums by Cobb, rich slabs of Coltrane sax, and slalom-sliding trumpet by Miles in joyous Surrey With a Fringe on Top style it might come from a different sound world to the lonely, modal Kind of Blue tunes, but Green Dolphin Streetis nevertheless a blue ribbon bonus track. But sometimes a new remaster can bring new life to old records, yes even a better sound, especially for the bass and drums, yet, what came out in the later fifties and early sixties almost can't be beat. Any recuts would be the next higher number for that plant. Also, I've known a few people who bought one and then later upgraded when the used-record bug started biting. If you mean at the beginning I'd say that is "sympathetic vibrations" and microphone leakage. and E and F for Pitman N.J. Six (or more) sets of lacquers were usually cut for any big-name artist, so the very first mastering would be 1A,1B,1C,1D,1E,and1F. There may not be much significance the matrix code being an early alpha beyond mono A-B-C. Is earlier betterand closer to the source? 1A/1AE)with the Side 2 track-list error corrected, so stereo lacquer 1A was used only in later pressings, not in any early stereo pressing run. Complete 1st Pressing Label Reference Set: Mono(1961-8), Impulse! Is that correct. About these vinyl. For the conversion of the signal to sound, mono sound requires one channel. Both mixes on HDTracks are completely NEW remasters. The record is numbered as said, but by Music On Vinyl? That evidence is the Cover Fabricator Code found on the bottom right corner of the jackets accompanying promos. Steve Hoffman Your host Your Host Location: Los Angeles CA, USA Adagio said: Without your info, I'm sure it would have been a lot more work for me to build up my system and collection of records. Perhaps the always moving, always restless Miles, never bothered to listen or simply didn't notice. 2 sense. I just received my RSD numbered copy today and it has the same feel as my original pressing. UPDATE 12/08/19: a copy with 1F has been found, with track listing error Side 2 1D/1F with TA etching (Conn. plant). Or are they some digital combinaison? Barcode and Other Identifiers Barcode: 4 547366 450958 Other Versions (5 of 502) View All Recommendations Kind Of Blue Miles Davis As mentioned before, I noticed the same "rightness" on RCA's mono vinyl of Belafone at Carnegie Hall. The lacquer code can in theory be matching both sides (1A/1A), but if two lacquers were supplied to a plant, four Side 1/ Side 2 permutations are possible: 1A/1A, or 1A/1B or 1B/1A or 1B/1B, depending on which lacquers came to hand when being mounted in a press. Though T has been suggested as referring to Terre Haute, it remains likely a Bridgeport pressing suggested by the label fonts. Check out Where a piece published after 26th October 2012 appears which is linked to this activity, the text will be followed by the following symbol:(pp), Website styled by Richard Bateman using the Broadsheet Theme for WordPress, London Jazz News Logo designed by Mike Lloyd @Yellow Design, As regards liablity for consequences of any action taken in response to information provided on LondonJazz, we adopt, All original content on these pages is fingerprinted and certified by. 7 layer jello with sour cream,